Showing posts with label IP. Show all posts
Showing posts with label IP. Show all posts

Monday, January 30

infographic and report on growth in IP industries

Is piracy really destroying the entertainment industry? Techdirt blogger Mike Masnick doesn’t think so, and he has some numbers to prove it. Masnick and his Floor64 colleague Michael Ho released a report titled “The Sky Is Rising” at the Midem music industry convention in Cannes Monday that shows how the global entertainment industry actually grew by 50 percent in the last decate, despite Napster, BitTorrent & Co.

The report was commissioned by the Computer & Communications Industry Association, which counts companies like Google and Facebook as its members. It’s definitely worth a read (check out the full PDF) and will likely provoke discussion, especially in light of the entertainment industry’s ongoing push for tougher copyright laws. For a CliffsNotes-like version, check out the following infographic:

Related research and analysis from GigaOM Pro:
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interesting infographic and report on growth in the intellectual property business.

Monday, January 5

Music sales boom, but albums fizzle for '08

Americans bought more music in 2008 than ever before, but album sales — the music industry's main source of revenue — dropped for a fourth year.

According to the Nielsen Co.'s year-end figures, music purchases — CD, vinyl, cassette and digital purchases of entire albums (grouped together as total albums), plus digital track downloads, singles and music videos — attained a new high of 1.5 billion, up 10.5% over 2007.

More than 70% of those transactions were digital track downloads, a record total of 1.07 billion that swamped 2007's previous high of 844.2 million by 27%. Last week's track downloads set a record of 47.7 million, and 71 songs exceeded 1 million downloads this year, compared with 41 last year (and just two in 2005). Track downloads outsold albums by a ratio of 2.5 to 1.

Total album sales dropped to 428.4 million, 14% fewer than in 2007, and have fallen 45% since 2000. Even combining album and track sales (by a formula that counts 10 track downloads as one album sale), the 535.4 million total is still down 8.5% from 2007 and more than 30% below 2000's physical album sales of 785.1 million.

Music purchases are "astronomically high," says Rob Sisco, Nielsen's president of music, "but it's a marketplace in transition from physical to digital." He sees promise in the rise of digital purchases of entire albums, which reached a high of 65.8 million in 2008. New albums by big acts bring the market up, he says, but "there hasn't been a steady stream of high-profile releases."




Music sales boom, but albums fizzle for '08 - USATODAY.com

Wow, it's starting to happen. Exactly as predicted. The advantages of digital distribution now that music is starting to be sold DRM free are starting to really outshine the disadvantages of piracy.

Generally these advantages of digital music sales are summed up as a growth in the depth and breadth of music. A debate I've posted about here in the past.

Specifically it goes something like this.

1) The market of people whom have access to purchase music as it goes digital grows exponentially... it becomes truly global.

2) Love of music is not innate, people can exist without buying any music at all. They can make it themselves in fact and be just as happy. Music interest like all art is cultivated and cultured. People aren't born loving Rothko or PIcaso, they develop a taste, the same goes for Britney Spears. (Eeee. A shiver just went down my spine.) More access to music, more accessibility... more commons = more cultured tastes = huge growth in people's purchasing habits in the mid and long tail

3) people's individual capacity for music is growing exponentially now that it's not encumbered by the physical limitations of CD's.

To put it bluntly I can't wait for the first terabyte mp3 player. I can't imagine what will fill it, but it would be stupid to say say as Bill Gates once did... "I only ever see a need for the individual to have X amount of memory". While this is paraphrased badly, the point is clear, don't be naive about people's capacity to consume and collect nor the ability of new formats to take advantage of that capacity.

I could see music formats of infinitely higher quality, where not only is each instrument a separate track, but each instrument has multiple channels. Who knows where it'll go but I think it's safe to say the mp3 is the wax record of its day.

In the end the death of the CD will have been the best thing that ever happened to the music industry spurring HUGE growth across the board in every area of music from the head to the tail. US citizens will discover musical interests all over the world and we'll discover the rest of the world hasn't even begun to explore the US market.


The only thing limiting the success of the music industry in 2009 will be as always the major labels themselves.

1) While DRM is on the way out, DRM cannot die fast enough. Expect it to stage failed comeback after failed staged comeback though. Everyone loves the unicorn.

2) New competing storefront alternatives are needed to spur innovation in the marketplace, but are limited by the labels arbitrarily picking winners and losers completely contrary to their innovations and contributions. Expect this to continue to slow what would otherwise be extremely rapid innovation and evolution. I.E. Expect to be stuck with the mp3 for a great number of years to start with.

3) geographical barriers thrown up will slow the exponential growth from new world markets slowing the global trend.


All this of course has nothing to do with piracy, that which the major labels fear. In fact as has proven time and again (most obviously with the video game Spore) it directly pushes the market away from the incumbent creating the demand in the p2p black markets and a more demand for independent and alternative artists. Neither are a bad thing for anyone except the major labels... so as is oft said, f*ck em.

In conclusion. Music sales will grow exponentially in 2009 greatly surpassing even the wildest dreams and expectations despite the major labels complete ineptitude. This growth will happen in all areas but CD sales, though even that may eventually even come back in 2-5 years just as vinyl has. Oh, nostalgia.

Sunday, March 4

Co-working in Vancouver

This comes by way of Duncan Rawlinson. A good follow up to my previous post on the co-working space Hat Factory in Dogpatch San Francisco. All I can say is this video makes me want to move to Vancouver tomorrow. It's not just the most beautiful co-working space ever it's bloody amazing. Wide open views overlooking the bay and mountains in Vancourver. Amazing.

Watch movie

Original post on February 13, 2007 from The Last Minute Blog: (RSS feed)

Workspace was on Canada AM (a national TV morning show in Canada) a while back. I ripped the video of the Canada AM website for your viewing pleasure: Video

(Via Mefeedia)

Wednesday, February 28

Co-working has jumped the shark

Heh, that looks farmiliar. The Hat Factory is on boingboing, now we know coworking has jumped the shark. Let's declare this fad done and stick a fork in it.

(Those san-franciscans are so incestuous. :)

From: Boing Boing: Co-working facilities for social-hungry solo freelancers

Cool piece in Businessweek about the rising popularity of "co-working" spaces for independent, internet-age freelancers who are burnt out on working from their homes (cons: too isolating, makes you crazy, no work/life boundaries) and don't want to just work out of Starbucks (cons: too public, not networking-conducive, laptop theft, rising price of lattes). Image above, hatfactory in dogpatch, San Francisco.


I said that all in jest of course.

In all honesty... co-working is the future, if only for the simple reason that in a future where we can work and live anywhere we want we all need to get out of the house sometime.

Other interesting trends are community bike shops and tool lending libraries. You might also notice trends with car co-ops and not that these things are are as here to stay as hostels and regular libraries and that they all serve the purpose of stimulating social capital (the base of all economics) by providing providing greater social and economic mobility.

Furthermore another trend is that these things can be done increasingly for profit debunking neo-con remarks about socialism. These newer trends are in infact the finest form of democracy and the free market in action to date as many sharp economists will tell you. Do not be fooled just because money doesn't change hands as in the case of wikipedia does not mean that it's not capitalism.

It reminds me of something Brewster Kale of Archive.org said of his idea of a great libarary of all the world's knowlege. To paraphrase poorly, "Who will fund this alexandria? The free market fund it, it's in businesses best intrest." ... or something like that... what he really said was way better you'll just have to google it.

The truth is there is a parrellel between a culture's economic wealth and providing many of the most basic needs... ie. it's social health. This does not mean people sitting on welfare checks as some idiots might misconstrue. This means...

1) "competing with free" is not only a fundamental prerequisite of modern business, not just intellectual property businesses like Music, but also necesities like water, food, shelter, clothing, education and an increasing array of services. In the U.S. somehow pretty much everyone has access to the necesities like water. Water is in fact free, and yet the water industry is so lucrative even a screw up like Coca-cola with Dasani can make money.

and

2) On some level providing free or cheap open unencumbered access to the tools that make society work is not just good business sense but maybe also a moral imperative. It's not socialist any more than wikipedia is socialist... it's just solid free market economics... give something away for free and hold something in reserve to sell for profit is a fundamental principal of doing business on the internet and the future of all business models. The trick is nowing how much to give away for free vs. how much to hold for sale and profit?

Ramble. Ramble. Ramble.